Exhibition period: November 18, 2010- December 5, 2010

Exhibition location: Central Hall and Hall C on the 1st floor of Guanshan Yue Art Museum

Organizer: Guanshan Yue Art Museum

Undertaking unit: China Guanlan Printmaking Original Industry Base

 The "Facing Life - Exhibition of Wu Changjiang's Works on the Qinghai Tibet Plateau" is jointly organized by the China Artists Association and the Guan Shan Yue Art Museum. It will focus on showcasing more than 100 works of Wu Changjiang's sketching and creation on the Qinghai Tibet Plateau in recent years, including rigorous and delicate prints, vivid and vivid watercolors, as well as concise and fluent sketches and sketches. Nearly a hundred important guests, media representatives, and audiences from all over the country will attend the opening ceremony. At the same time, the exhibition will also hold the "Wu Changjiang Art Seminar" with the participation of more than 20 famous artists and theorists from across the country, to jointly explore Wu Changjiang's artistic creation, the value of painting on the Qinghai Tibet Plateau, and the close relationship between the two.

Wu Changjiang was born in 1954 in Hangu, Tianjin. He graduated from the Printmaking Department of the Central Academy of Fine Arts in 1982 and stayed on as a professor and director of the Printmaking Department. Since 2007, he has been serving as the Executive Vice Chairman of the China Artists Association. Since the 1980s, Wu Changjiang has gone to the Qinghai Tibet Plateau for more than 30 times to sketch and create. He has climbed this highland for nearly 30 years, tirelessly pursuing the purity of art and life, and the philosophy of interdependence between humans and nature. With his youth and passion, he has created a unique world of art and spirit. Whether it is his printmaking, sketching, sketching, watercolor, or ink painting, they all fully and profoundly depict the magnificent snow scenery of the Qinghai Tibet Plateau, the simple and kind folk customs of Tibetan compatriots, and vividly outline a rare "spiritual home" in the rapidly developing modern society.