Wang Xiaoguang

2014 marks the 50th anniversary of the establishment of ambassadorial level diplomatic relations between China and France. For this purpose, the Sino French Art Exchange Exhibition was held, with hundreds of works by over 40 artists from both countries exhibited. The exhibition is divided into four stops: Paris, France on October 23, 2013, Beijing on January 23, 2014, the Guanshan Yue Art Museum in Shenzhen on February 27, 2014 (Shenzhen visitors have good eyesight), and the Chongqing Art Museum on April 10, 2014.

1. Chinese painter Yang Feiyun's "Study", classic (below). I have heard of Teacher Yang's fame as early as the early 1980s and have seen his works multiple times in illustrated newspapers and magazines. But it was the first time in over 30 years that one could witness his authentic works on site.

2. The book "Reading" by Chinese painter Duan Zhengqu is the most touching work for me in this art exhibition.

Many young viewers didn't understand and asked me, "What does the semicircle in the work represent?" At first, I was a bit surprised. It's not surprising to think about it again. Although it is an era of rapid development, it is also precisely the era of fast food that is eager for quick success and lacks life experience.

That semicircle is a cave dwelling in northern Shaanxi, indicating the scene where the story takes place. If we leave this scene, the story will become uninteresting.

3. (Below) The work of Chinese painter Wang Yishi titled "The Romance of the Western Chamber". Teacher Wang is over 70 years old and has had a bumpy life. He has also served in prison.

In his later years, Teacher Wang came to a great realization. I dare not comment on the artistic level of his work, but it must be the most joyful one in the audience, full of life wisdom that explores the world.

4. (Below) "Breeze" by Chinese painter Yuan Zhengyang. Some people say that his paintings are too "greasy". I really like the strong characteristics of the 1980s' Enlightenment era.

5. "Mother and Son" by Chinese painter Yan Ping. Teacher Yan's pen is bold, powerful, and unrestrained, with vivid colors. The scale of his works is also relatively large, but the themes he portrays are often short stories about family background. This unique expression technique has created a strong visual impact and won the appreciation of many viewers. If you only look at the paintings, you may mistakenly think that Teacher Yan is a muscular man, but in reality, she is a thin and small woman.

6. (Below) French painter Eric's printmaking "The Central Library of Paris". The inspiration for the work comes from chance, and its expressive techniques are not commonly seen in Chinese works.

7. (Below) The Garden by French painter Pierre

8. (Below) QUO by French painter ZWY. This work has a large scale and occupies one wall of the central exhibition hall. It is difficult to appreciate the essence of the work without watching it live. The author is the oldest painter among the participating artists, already in his 80s.

This art exhibition received enthusiastic responses from Chinese audiences. During the exhibition at the Guanshan Moon Art Museum, our Shenzhen Cultural Volunteer Team goes to the venue every weekend to maintain order and guide the audience. Every weekend is a sea of people, and that scene has not been seen for a long time (as shown in the picture below).

(Below picture) The gate is even lined up, and we have to start restricting audience access! How many people come out, how many more people can be put in. I was quite surprised to see the audience queuing outside the gate. The museum is almost closed, and there are still so many spectators waiting to enter!

Children have a free and lively nature, so they simply lie on the ground and copy the works of the master (as shown in the picture below).

This young girl, who is only three or five years old, definitely has a different understanding of the works of 75 year old Teacher Wang Yishi. You can see how focused and focused she was when copying.

I guide three times a day, each time for at least one hour. Dry mouth and tongue, dizziness and dizziness are necessary to complete the task.

Fortunately, the audience gave me a good evaluation of my guidance. Some people have voluntarily requested to take a photo with me (as shown in the picture below).

During the guide break, I had a sparring with volunteer classmates in front of Teacher Wang Yishi's work "The Story of the Western Chamber".

(Above) Remi, President of the French Artists Association Before Mr. Alon's work "Still Life", he guided the audience.

(Below) In front of his work "Scenery in front of Buildings", he serves as a guide for the audience.

It is also quite difficult to be surrounded by the audience like this, both inside and outside.

Can you still see me surrounded by the audience in the middle?

Good recognition, that bald guy. Well, if it's not visible, it's normal, there are too many people.

The sculpture work "Wild Vegetables" by Professor Sun Jiabo (as shown in the picture below), the more I read it, the more I like it and the more I am moved.

A great, resilient, and ordinary mother.

(Below) Volunteer students exchange ideas before starting to guide each other.

(Below) I was fortunate enough to meet Chinese exhibiting painter Jia Juan Li (second from right) on site.

Take a photo with Teacher Jia in front of his work.

The following picture shows the works of Wang Yishi, the audience's guide, titled "Hawthorn Wrapped in Vegetables" and "Autumn Traveling Picture".

The work "Water Town" by Chinese painter Fei Zheng has attracted this young Chinese audience.

Volunteering requires guidance at least twice a day, sometimes three times, each lasting about an hour. During the gap time between guidance, I also need to help other volunteer students maintain order and do logistical work. By this calculation, I have to stand and walk for five to six hours every day without feeling tired at all. I have participated in four different art exhibitions since last autumn.

There is no income from doing this job. Volunteers are purely volunteers who offer their services without compensation. But no one complained, instead everyone was full of energy and fighting spirit. If anyone has any difficulties, everyone can take the initiative to help. The volunteer team at the Guan Shan Yue Art Museum is really great.

While giving back to society and bringing happiness to others, one also gains happiness.

In the process of watching exhibitions, learning, and guiding, we are also attracted by the works of these artists. These works interact with us day and night, gradually becoming our friends. As the exhibition was about to end, a sense of reluctance arose in my heart.

No matter how the world changes, beautiful art endures forever.